The Fall of Man
- Marcus Nikos
- Jun 11
- 19 min read
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Philosophy’s Most Terrifying Idea | Albert Camus's The Fall"

The Fall of Man
god is not needed to pass judgment our
fellow men suffice aided by ourselves
imagine that in a single moment
everything you currently take meaning
and purpose in became hollow and vapid
to you that tomorrow you woke up to find
your work unfulfilling your family
strangely unnerving and your romantic
partner repulsive worst of all you
realize you've been fooling yourself
your entire life about almost everything
you discover that you are a cruer and
more vicious person than you ever
thought possible you spiral into despair
grasping at anything that might give you
temporary relief from this awful state
you finally arrive at the bottom of a
deep well clawing at the smooth walls in
the vain hope of ascension willing to
give up anything if only you would be
saved from this sorry state this is
roughly speaking what an existential
crisis feels like the foundations of our
existence are taken out from under us
and our entire life starts to spin out
of control a lot has been written on the
nature and causes of existential crisis
but perhaps no one has put this feeling
into words quite as well as Albear Kamu
in his final published novel The Fall
the Fall follows a man named Jean
Baptiste Clamos a lawyer who has moved
from Paris to Amsterdam and who spends
most of his time in a CD bar at the very
center of the city's infamous red light
district through the novel Clemens
gradually relates to us his fall from
the societal graces of Paris and how he
became disillusioned with humanity
itself get ready to learn how we are all
deeply hypocritical how this novel poses
questions you cannot possibly unsee and
so much more as always bear in mind that
this is just my interpretation of this
work and also that The Fall is notorious
for different people taking very
different things from it so I encourage
you to read it for yourself for the full
effect but let's start with what
Clemens's life was like before his
titular fall and how it swed the seeds
for his eventual collapse one a
A Supposedly Idyllic Life
supposedly idilic life the first few
chapters of the novel see Clemence
telling us about his life in Paris when
he was still naive and innocent before
the crisis that would turn him inside
out he worked as a lawyer defending
people from prosecution and from his
tales this was a truly marvelous life he
felt an ease in his movements an
unshakable self-confidence and a gentle
kindness flowed from him wherever he
went in one of his stories he narrates
how he defended someone's husband in the
law courts without charging them any
money and how the defendant's wife
showered him with praise for this with
him eventually kissing her hand to
shorten her everrowing thanks for giving
her husband a second chance in response
to all of these compliments Clemens
turned on his heels and walked away all
to preserve the praises proper resonance
indeed this general magnanmity seemed to
permeate his life he describes how he
would help blind men cross the street be
courteous to the point of fame and how
he worked hard to allow those around him
to feel totally relaxed in his presence
to anyone watching it would seem like he
was a genuinely kind and benevolent
person he even professes to have taken
great joy in all of these actions far
from begrudgingly aiding his fellow
Parisian Clement practically fell over
himself for the chance to help other
people however all is not quite what it
seems even at this point we see a fatal
aspect of Clemens's character lurking
just beneath the surface one that will
eventually come to torture him looking
back on it all Clemens confesses that he
did all of this not so much out of a
desire to see other people benefit but
purely for his own reputational gain in
other words even when he was committing
all of these kind actions the only thing
on his mind was personal gain be that
emotional or social and this was not
merely in the trivial way that everyone
could be described as selfish doing good
deeds and avoiding bad ones in order to
escape the wroth of our own conscience
but rather because Clement saw himself
as playing a certain role one that would
grant him innumerable advantages both in
his own identity and through the
perspectives of other people clemence
came to this conclusion because he
noticed there were certain behaviors he
undertook when performing these
benevolent actions that were purely for
show the key example he uses to
illustrate this is that he used to do
his cap to blind people after helping
them across the street he couldn't have
been doing this for the person he was
helping because that person was totally
blind instead he admits this was all for
the performance he was taking a self-
congratulatory bow after having played
his character to perfection and
hammering at home to anyone around him
that he has just done a good deed and
the applause he received for all this
had its own purpose at one point
Clemence notes that in Paris he was
comforted by the knowledge that he was
in some ways superior to all the people
around him and that this belief rested
not just on his own private opinion but
also on all of this praise he received
from his peers he had an enviable sort
of innocent confidence it did not even
cross his mind that he might not be a
man of the most excellent character
because he was constantly being told
this by everyone he met and as of yet he
had no significant evidence to the
contrary at this point his sense of
meaning is safe and secure behind the
bullwalk of societal acceptance and he
was so self- assured that he had no
qualms whatsoever in taking whatever he
wanted from life he describes how in his
life in Paris he was something of a
womanizer and he says he felt a perverse
sense of ownership over the women he
courted in his naive arrogance he would
not be satisfied until they had declared
that they would love no other but him
and at this very moment he would lose
interest since they'd now done the work
of supporting his identity he was not
forming bonds with these people he was
merely using them as existential props
his romantic success was yet another
piece of evidence that he was uniquely
brilliant among men it is almost like
every aspect of Clance's existence had
conspired to bolster his confidence he
felt like he was on top of the world
making his later fall all the more
painful in other words Clemens could
take a great joy in his life because his
identity and purpose was perfectly
stable and intact he had an unshakable
conviction that he was a good man an
intelligent man and a successful man he
describes feeling like a ruler or a
conqueror or some great hero of enormous
significance and moreover it never even
entered his head to question this rather
generous judgment of himself clemensce
in Paris is a man totally without
self-consciousness and as a result he is
in total existential bliss he has no
sense of guilt or shame or emptiness
since he has not reflected on potential
faults of his character or the ways in
which his meaning for life might be
insufficient he has not yet learned to
fear the judgments of other people
because what would there be to judge he
dances along in life in his own words
totally at ease and yet satisfied with
nothing he was totally relaxed yet could
crave more of anything more life more
sex more money and each time he felt
totally entitled to this though it seems
strange we could compare Clemens to a
kind of child here he is essentially in
a state that precedes self-awareness he
is not conscious of his own faults and
is totally satisfied with this situation
despite using women purely for his own
pleasure and harboring by his own
admission only selfish desires he can
still conjure up an idea of himself as a
good and grand person as is suggested by
the title of the novel Kamu is drawing
on some very Christian themes here in
Paris Clemence is like Adam and Eve
before they ate the forbidden fruit from
the tree of knowledge and learned about
good and evil he never has the sheen of
self-conscious judgment interfering with
his life he is as he puts it in Eden
Shermasure no intermediary between life
and me but though he does not know it
yet Clemense is in a highly precarious
position because his whole sense of
meaning rests on an illusion his
innocent view of himself and of mankind
as a whole is simply false and soon
events come together to bring him
crashing down from his tower of self
arrandisement to play in the mud this
transition from a comfortable lie to a
deeply uncomfortable truth is a theme
peppered through Kamu's philosophy
according to him you cannot run from the
truth because eventually it will catch
you and when it does we had better be
prepared clemons was certainly not and
he faces an unenviable situation as a
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description two innocence lost what do
Innocence Lost
you think are the sort of things that
can give someone an existential crisis
various scenarios immediately come to
mind it might be the death of a loved
one or infidelity in a long-term
relationship or realizing that our
long-held dreams will never come to
fruition in each case we have a general
theme a belief that we took great
meaning and solace in is shown either to
be false or not to be nearly as
significant as we thought while we may
have intellectually known that our
family was mortal it did not properly
sink in until one of them passed away we
may have lived many years in the
assurance of our partner's undying
faithfulness but then it all collapsed
in a mere moment as a youth we may have
fallen in love with the idea of fame and
fortune but then we hit a certain age
and we realize that it probably isn't
happening many people fall into an
existential crisis if they lose their
faith in God in each case the
convictions that form the bedrock of our
motivations for living have been utterly
destroyed and unsurprisingly we fall
into a mixture of confusion and despair
in the case of Clemenance his meaning
stems from this picture he has of
himself as fundamentally good and great
but events begin to align to undermine
this idilic self-image first he gets
into an altercation with a young
motorcyclist on the streets of Paris and
in a scuffle with the crowd he gets hit
in the face for his troubles clemence is
dumbruck and this has left him looking
like a fool in front of the assembled
traffic this creates the first dent in
the armor of Clemens's self-satisfaction
he had previously thought of himself as
brave and physically powerful as he puts
it he wished to dominate all things and
a large part of him genuinely believed
that he could for whatever he did either
he excelled at it or he thought that he
probably would excel at it if only he
had the spare time to practice it more
however in one stroke his asalant has
forced him to confront a minor example
of his own impotence a lot of people
would probably get irritated at the
indignity of this experience but
ultimately get over it pretty quickly
but remember for Clement self-image is
everything he has not yet learned to
recognize even one of his faults he is
totally in love with himself believing
himself a near perfect being so he
becomes like a spiteful child who has
had one of their wishes thwarted he
ruminates for days about what he would
do to that bastard if he ever got his
hands on him he escapes into resentful
revenge fantasies and chastises himself
for having been treated in such a way
this is also the moment where Clemens
learns to be judgmental previously he
had been totally secure and so felt no
need to condemn others after all he only
experienced praise and agilation but now
he becomes acutely aware of the human
instinct to judge and chastise as he
puts it "When I was threatened I became
not only a judge in turn but even more
an irassable master who wanted despite
all laws to strike down the offender and
get him on his knees." This theme of
judgment becomes very important later
because Clemence will grow to fear the
harsh looks of other people much more
acutely the further his own self-image
degrades the event that seals Clman's
fate however attacks not just his
competence but his virtue as a person
when he is walking through the streets
one night he spies a woman standing at
the edge of a bridge he has a strange
feeling but ignores it and carries on
walking but then he hears a splash and
screams behind him and realizes the
woman has jumped to her death into the
river sane much to Clemens's surprise
all of his heroism and love for humanity
has vanished in an instant rather than
rushing in to help the poor woman
risking his own skin in the process he
stands there passive and silent he does
nothing he says he wanted to run and yet
didn't stir after he has witnessed this
horrific event he rushes home and tells
no one of the encounter not even reading
the papers the next day for fear of
learning about the woman though he
ultimately denies it it is clearance
feels deeply ashamed of his inaction
even if he does not know it yet his
identity has become irreparably
shattered according to Clemence his life
continues much as normal for the next 3
years or so but then one day when he was
feeling particularly triumphant he
lights up a celebratory cigarette and
hears a laugh behind him not necessarily
a threatening laugh he even describes it
as friendly but one that nonetheless
seems to mock him he turns around to see
who it is but there is no one there
nonetheless this has a profound effect
on him and it is the very moment his
whole worldview falls apart it is when
he begins to face the absurd in Kamu's
philosophy the absurd is the gap that
opens up when we attempt to find meaning
in the universe and inevitably fail to
do so since without a god it is very
difficult for the universe to provide
meaning for us this is when we become
acutely aware that our lives are
objectively speaking pointless and
futile and when we are forced to decide
how to react to this harrowing
information for Clemence the laugh in
the darkness infects him and begins to
nurse a scornful and mocking attitude
towards life and the people around him
it in effect gifts him a kind of
forbidden knowledge it tells him that
human life is not a dignified serious
affair at all but is instead comedic
worth laughing at and perhaps more
worryingly Clemens decides that those
who do not yet know this are
fundamentally beneath him whereas before
he felt a sort of selfishly tinged
brotherly love for his fellow man now he
was filled with a spiteful contempt put
a pin in this as we will revisit this
concept in the next section and
Clemens's new nihilistic attitude does
not just affect his outlook going
forward either it reaches back into the
past to reveal the hidden motivations of
all of his previous actions whereas
before he had no self-consciousness and
so viewed his supposed goodwill towards
others as genuine and selfless now he
can see it for what it was a tool of his
own self arandizing that he maintained
to puff himself up in hindsight he
considers all of this kindness as not a
sincere reflection of his innermost
feelings but rather a kind of role he
was playing he is a mere actor who
struts and frets his hour upon the stage
and then is heard no more the sincerity
is robbed out of every one of his
decisions and behaviors painting his
entire life as essentially meaningless
busy work mere distractions on the route
to the grave but beyond this he is
convinced of the emptiness of everyone
else's little roles as well the
hypocrisy of mankind becomes unbearable
to him he sees people judging others
while being full of sin themselves and
is essentially two-faced this leads him
to theorize about mankind's double
nature where we fool ourselves into
thinking we are better than we are
because that is the only possible way we
could stay sane and be able to live with
ourselves worst of all he realizes that
we humans have such an aptitude for
selfdeception that we fool ourselves
into thinking that we're being sincere
he compares everyone including himself
to the person who wants the waitress at
the restaurant to smile at us so we are
relieved of the guilt of having
temporarily turned her into our servant
most of all Clemens becomes aware of all
of his own faults and he realizes there
is much that other people could judge
him for as well this all leads him to
some truly erratic yet fascinating
behaviors which is just what we shall
look at next three rebellion and
Rebellion and Cynicism
cynicism in Milton's famous poem
Paradise Lost the character of Satan
reacts to his imprisonment in hell by
giving himself over to complete and
utter rebellion against God rather than
face up to his own crimes he rejects
divine judgment and vows to work against
God for all eternity in many ways
Clemence has a similar reaction to his
own situation as soon as he becomes
aware of his own imperfections he
becomes terrified that other people will
begin to judge him for them he can feel
everyone's eyes on him examining his
faults and he knows they will eventually
find them moreover the stakes are higher
for him than they would be for any of us
since he has no independent sense of
meaning to fall back on all he is is
what other people say about him at first
he tries to escape the judgment by any
means necessary so he drinks himself
into a stuper and has endless attempted
flings with the women he comes across
the intention here is to dull his mind
to such an extent that he loses his
newfound self-consciousness he is
drinking both to forget and to recover
his sense of confidence i'm sure many of
us can relate and this does work for a
short while he even says the laugh of
the absurd has become so faint that he
barely noticed it but soon he encounters
pretty dire health problems and has to
stop drinking and since he was not
interested in a genuine interpersonal
connection with any of his lovers when
he's sober he can't stand the sight of
them so he gives up on the romantic
approach as well now he has a clear head
he concocts a different idea he will
start to reveal the absurdities of the
world to those around him spreading his
self-consciousness to everyone and
dragging them down to his level as I
said in the last section he views the
judgments of other people as the height
of hypocrisy after all we are all
sometimes dishonest sometimes cruel
sometimes cowardly we all have things
that we could be judged for and found
lacking so why do we think that we are
fit to judge other people on Clemont's
analysis it is effectively a defense
mechanism to borrow his metaphor we spit
on others so they cannot spit on us
first we point the finger as an attempt
to divert the situation that we really
fear that others will quite rightly
single us out for criticism and censure
and it becomes Clemenc's mission to make
people notice this uncomfortable fact to
recognize the absurdity inherent in
their own existences at first he
attempts to do this by playing the part
of a modern-day Dioynes he argued in
public that the so-called innocent man
is just as guilty as the criminal they
are testifying against he would invoke
God in the company of atheists simply to
upset their worldview he would
demonstrate how all of us have done evil
actions or left potentially good actions
undone he consistently works to expose
the hypocrisy underlining our
interactions and rather than encouraging
us to come to terms with these
unbearable truths he instead wields them
like a weapon according to Clemenance
most of us are fooling ourselves in some
way about who we truly are we think we
are generous but we're actually
self-interested we think we are cool
collected and independent but deep down
we yearn for the approval of others we
consider ourselves a competent expert in
our field but in fact we are just making
do with the information we have as we go
along and everyone else's too what seems
like a grand rational structure of
people coming together to form stable
societies is actually a bunch of
emotionally driven apes desperately
trying to keep up their illusions
because we are not strong enough to face
the sheer absurdity of it all of course
in some ways Clemens is doing something
really quite cruel here he has
discovered a fact about the world that
makes him fundamentally unhappy and in
response to this he is spreading it
around so others can share in his misery
remember he is not an absurdist he has
not come to terms with the
meaninglessness of existence he is in
the middle of it fighting against it at
the same time he has become unable to
stand the hypocrisy of the world around
him and to a certain extent who can
blame him one of my favorite things
about Kamu's writing is that he crafts
brilliant characters like this ones
where you feel strangely sympathetic
because there is a certain sense
underlying their philosophy and you can
understand exactly where they're coming
from while at the same time being
repulsed by their indifferent or cruel
attitude to those around them kimu's
stories are a bit like car crashes in
slow motion you cannot help but be
fascinated while at the same time slowly
filling up with anxiety and through
Clance Kimu poses a profound question to
us as readers say we were in Clemence's
position what should we do if we
uncovered a terrible truth about the
world and had our innocence ripped away
from us in one fell swoop should we keep
this to ourselves if we found out that
the world was run through with hypocrisy
right down to its deepest level but that
the illusion of sincerity was all that
kept people from falling into despair
are we duty bound to guard this truth
preventing anyone from learning it how
should we react if we become convinced
that almost all human interaction is
steeped in dishonesty and that most
people hold a warped perception of
themselves as far greater and nobler
than they actually are yet at the same
time this is the only thing stopping
them from falling to pieces in front of
our eyes as perhaps one of the only
philosophers who argued there was no
solution to the problem of nihilism
other than just moving past it
altogether Kamu must have felt the
burden of forbidden knowledge resting on
his shoulders as well either way
Clemence has made his choice having
attempted to run from the absurd he now
preaches a twisted form of its gospel
and like any good prophet he comes with
his own solutions to these deep problems
in living and this is just what we shall
next examine four the judge penitent so
The Judge-Penitent
to sum up Clemence has two profound
issues he is deathly frightened of the
judgments of others and he is also
unable to cope with life's newfound
meaninglessness where can he go from
here well having had a go at being the
modern cynic laying out everyone's flaws
through ruthless critique he now devises
a subtler way to reclaim a place of
power over his peers and to also find
meaning in absurdity first he gives his
solution for everyone else and then he
reveals his own unique approach for
those of us who have not yet viscerally
faced the absurdity of existence
Clemence encourages us to limit our
self-consciousness as much as possible
and he says the only shorefire way to do
this is to serve something anything to
pledge ourselves to a cause or purpose
and follow it to hell if need be here we
must set hard limits on the questions we
ask we must run from existential
critique as if it were the plague this
is very similar to the concept of
philosophical suicide that Kimu talks
about in the myth of Seisphus to put it
bluntly we retreat into intellectual
cowardice we become like a child hiding
their face behind their hands when
something scary comes on the television
so deep is Clemens's existential
suffering that he conceives of free
thought itself as something
fundamentally destructive to us and he
says that doctrinal slavery is
infinitely preferable to his sorry state
but of course Clemence himself cannot
use this approach since he has already
asked these existential questions he
cannot unsee what he has seen so he
takes on the role of the judge penitant
in order to avoid the judgment of others
and recapture his sense of superiority
and human dignity the judge penitant is
someone who will point out their own
flaws for everyone to see they are no
longer interested in trying to rescue
their characters at all but instead bask
in their own self flagagillation this
instantly insulates them from criticism
others might throw at them by
essentially preempting whatever it is
they might say in itself this is not the
end of the world it can be quite freeing
to recognize our own faults and it does
release the pressure of having to craft
an idealized insincere persona to carry
around with us when we're out in public
but then Clemens's strategy takes a
sinister tone clemence realizes that
from this position of extreme
self-punishment he can start to judge
other people again this time without
hypocrisy he can lower himself to the
position of the villain and subtly imply
that we are in some ways very much like
him and perhaps to a certain extent he
is right one of the reasons I find
Clement such a fascinating character is
because he contains so many of our own
faults but pushed to an absurd degree if
you'll pardon the pun and this means we
might see dim reflections of Clemensce
in ourselves where do we nurse an
idealized image that does not correspond
to who we are where do we fool ourselves
into thinking that we are superior where
do we do everything in our power to
judge and condemn others positioning
ourselves above them and where do we
rest our own approach to life on a lie
clemence himself has never quite got
over this yearning for his old innocence
to be returned to him at the end of the
novel he shows us a stolen painting he
has come to possess it depicts judges
going to meet Jesus Christ the innocent
one the lamb of God he tells us he has
locked this symbol of innocence away to
show us that there are truly no innocent
parties there are no innocent people
there is no god there is no method by
which our sins become forgiven or
worthwhile but despite all of this
Clemensce truly longs to be forgiven to
be told that it is all okay that he has
been absolved of all of his faults and
can proceed onwards in innocence and
repentance but in a meaningless world
there is no one around to do that there
is no divine force to wipe away his sins
no savior coming to redeem him and us
humans are such unworthy judges that our
own forgiveness means nothing at all he
only has his actions his unalterable
history and his profound deficiencies in
character and he cannot stand it perhaps
many of us feel the same i know that I
do some of the time clemence may think
that he has conquered the absurd but he
is still suffering its effects on some
people's interpretations of the novel
Clamance is a dark version of Kamu's
absurd man the person who has made peace
with the meaninglessness of life and has
leared to move beyond it but I have to
gently disagree i think Clemence is
someone who is still deep in the
quagmire of an existential crisis and is
a wonderful illustration of just how
miserable cynical and outright
villainous it can make us and it all
stems from the arguably quite sensible
realization that there is no meaning out
in the universe clemence wishes to make
us aware of this fact and drag us down
to his level but do we have the strength
that he lacked to face the absurd headon
to embrace the radical freedom of a
godless world and all of the horrible
consequences that come along with it can
we lock eyes with the void without
flinching can we learn to do what
Clemens did not laugh with the absurd
rather than have it cackle mockingly in
our face i don't know the answer to this
question it is one of the starkkest and
darkest inquiries in existential
philosophy but I think camu's great and
personal novel does a wonderful job at
bringing it into focus and illustrating
just how bad things can get if we
continue to mourn our past innocence we
may not be able to unsee the absurd but
perhaps we can learn to greet it with a
smile rather than with hatred reading
the fall is a little bit like looking at
a basilisk the damage is done by the
time you turn the final page the
questions cannot be unasked the insight
cannot be unlearned all there is left to
do is deal with the consequences but
perhaps you want a more general
grounding in camu's philosophy well if
so check out this video to watch my
analysis of the myth of Cphus and stick
around for more on thinking to improve
your lifc


