new transcript for vsl
- Marcus Nikos
- Jan 24
- 17 min read
I am taking concepts and combing with familiar movies to help people visualize and feel I believe it will be shared heavily building list and so far very effective
hope vs. fear
i hope the pacific is as blue as it has
been in my dreams
i hope
shawshank redemption is often regarded
as one of the best films of all time
managing to bridge the perfect balance
between the artistic and
entertaining to make it a favorite for
both those types of audiences
you'd be hard pressed not only to find
anybody who doesn't like the movie but
anybody who wouldn't rank it as one of
their favorites as
i definitely would obviously there will
be spoilers on the off chance any of you
haven't already
seen this juggernaut of a film
that's your warning and thinking
spoiler-wise if i try to think back to
the first time i watched this film
the ending came with a twist that
technically should have been entirely
predictable
this is a prison film every prison film
in existence involves prisoners escaping
from prison
and yet this movie functions perfectly
to make andy's escape come
as a surprise not as a great shock
admittedly i mean it makes sense no one
would have said it was completely
unexpected but it is still a twist
which i'm highlighting not just because
1:12
it's clever storytelling how
1:13
to make the expected outcome end up like
1:16
a twist which
1:17
they do well technically through things
1:19
like the rock hammer being introduced
1:21
with the idea of escape as a complete
1:23
joke i finally got the joke it would
1:26
take a man about
1:27
600 years to tunnel under the wall with
1:29
one of these
1:30
and the fact the story is told from
1:31
red's viewpoint and andy is naturally a
1:33
bit of a closed book means he can hide
1:36
secrets from the audience easily without
1:38
us being suspicious but
1:40
the big reason it's able to function as
1:42
a twist is also sort of the greater
1:44
emotional point behind it all
1:46
it's a twist that underpins the main
1:48
thematic point of the film
1:49
more than anything this is a story about
1:51
hope and how it's a
1:53
terrible thing to live in fear i mean
1:55
this isn't a story about escape at all
1:57
until the end of the film no one ever
1:59
really talks about it
2:01
nobody seems to try escaping shawshank
2:03
but instead we see the reverse
2:05
brooks threatening to kill hayward so
2:07
that he doesn't have to leave at the end
2:09
of his sentence
2:10
so that he can stay in prison we're
2:12
given one of the most
2:13
heartbreaking sequences in cinema where
2:16
the idea of
2:17
outside life the very dream of a prison
2:20
and what
2:20
should be the most beautiful good thing
2:24
of all becomes so
2:25
frightening as to turn away from it this
2:28
isn't the story about escape because the
2:29
spirits have become too broken to even
2:31
want that
2:32
first with brooks then slowly with red
2:34
who is the one able to explain
2:36
brooks feelings and being
2:37
institutionalized great empathy
2:39
whose character arc at first seems to be
2:41
a parallel of brooks where he considers
2:43
hope to be
2:43
a dangerous thing i better get used to
2:46
that idea
2:48
like brooks did which is why it is so
2:51
thematically important that we
2:52
as the audience kind of forget about
2:54
escape in this film
2:56
because when you think about escape and
2:57
not just in terms of prison but
2:59
escaping an addiction and abusive
3:02
relationship
3:03
ruts in your life a state of feeling
3:05
whatever it is um
3:07
it doesn't just come down to that
3:09
practical dilemma of how to
3:11
actually get away the technical aspects
3:13
of like digging the tunnel and when to
3:15
make a break for it how to avoid the
3:17
cards kind of stuff
3:18
what it also comes down to is that
3:20
emotional
3:22
tumultuous battle between hope and fear
3:25
can you maintain belief in this better
3:27
world can you really trust that it's
3:29
worth the risk that
3:31
things will be better in that very
3:33
distant and unfamiliar outside world or
3:36
do you fear it too greatly you know when
3:38
you've become used to
3:39
alcohol or whatever is the thing that
3:41
makes you feel better can you believe
3:43
that you can function happily without it
3:46
that beyond that initial stage of
3:47
withdrawal you will adjust
3:49
or that turning away from the partner
3:51
who hurts you or makes you feel
3:52
miserable
3:53
that there will be greater happiness
3:55
beyond that initial pit of loneliness
3:57
you feel in their absence
3:59
and so it's the emotion of that struggle
4:01
that the film functions perfectly to
4:03
express
4:04
hope isn't just beautiful but incredibly
4:06
fragile
4:07
whilst red is right to say it's a
4:09
terrible thing to live in fear it's also
4:11
very hard not to
4:12
many times in our lives what we witness
4:14
across the majority of this film is the
4:16
gradual decaying of a community spirits
4:19
until
4:20
even andy who has served as a beacon and
4:23
reminded of hope in the shawshank prison
4:25
starts to look broken
4:27
but we begin to fear he's finally on the
4:29
same route as brooks the same
4:31
red seems to be travelling which begins
4:33
mostly with the death of tommy who
4:36
if hope was a motif in this film tommy
4:38
would certainly be
4:39
part of it the young energetic eager for
4:42
life kid hey come on old boys
4:44
moving like molasses making me look bad
4:46
tommy represents potential for the
4:48
future as this thief who has been in and
4:50
out of prisons for years
4:51
now finally looking to change not just
4:54
thinking about it but
4:55
incredibly driven seen for the example
4:57
of his determination to pass exams
4:59
despite the fact he barely knew how to
5:01
read in the beginning
5:02
he represents the hope of a future
5:04
generation the hope that
5:06
criminals can be reformed that people
5:08
can do better that
5:10
people at a great disadvantage so much
5:12
as even being illiterate
5:13
can grow and achieve and in fact i think
5:15
his story of the exam is a bit like a
5:17
mini fable about this hope versus fear
5:20
struggle where he becomes so convinced
5:22
he's done badly and will fail the exam
5:25
that he screws up his paper and throws
5:26
it away
5:27
afraid to see his imagined failure
5:29
printed in a grade
5:31
whereas andy maintains hope and mails
5:33
the paper anyway
5:34
to the revelation then that tommy did
5:36
actually pass
5:37
his fears were wrong you know how easily
5:40
our fears can limit our capacity to grow
5:42
or do good things but this hope tommy
5:45
represents is then destroyed in his
5:47
murder at the hands of the warden
5:48
it's a freeway death of hope in his film
5:50
however firstly
5:52
because it's the loss of this good man
5:53
being killed secondly because it's the
5:56
loss of andy's one chance to prove his
5:58
innocence since tommy could stand as
5:59
witness and thirdly
6:01
because it leads to the warden turning
6:02
nasty to andy and putting him through
6:04
two months of solitary confinement which
6:06
is just
6:07
horrendous solitary confinement for
6:10
extended periods
6:11
especially like that is just torture
6:14
really
6:14
all of it appears to finally break andy
6:17
and we get a long scene where he talks
6:18
about his pain and the sense of
6:20
injustice to red who
6:22
even remarks with concern to his friends
6:24
that andy's he's talking funny
6:27
i'm really worried about him and so when
6:29
hayward mentions that andy asked him for
6:30
a length of rope we believe
6:32
andy's fate will parallel brooks now
6:35
that shawshank has finally broken him as
6:37
it has so many others
6:38
the entire arc of the movie kind of
6:40
leads towards this knife point
6:43
and we get a shot of andy silent in his
6:45
cell holding the rope
6:46
the cell split between light and dark on
6:48
either side of him emphasizing this
6:50
knife point between hope and fear
6:52
even more so between the rope for a
6:55
noose or a rope to help his escape
6:57
we're led to consider that andy might
6:58
commit suicide precisely because it is a
7:01
very real
7:02
possibility it would take very little
7:04
for that last thread of
7:06
hope to snap and so in that sense it
7:10
does
7:10
ultimately come down to the very thin
7:12
line of get busy living
7:17
so yeah whilst on the one hand it's not
7:19
an unexpected twist
7:21
i think we do imagine some escape of
7:24
sorts to happen
7:25
and it would be a very unsatisfying film
7:28
if andy did just hang himself here
7:30
but emotionally a very plausible plot
7:32
point
7:33
whereas escape is realistically the more
7:36
surprising outcome maintaining hope is
7:39
one
7:40
hell of a task in anybody's life
7:42
shawshank redemption serves to emphasize
7:44
that point to us very clearly
7:46
which feels like a concluded place to
7:48
finish this video but there's still a
7:50
lot of other stuff i want to say about
7:51
this film
7:52
um one being how to maintain hope when
7:55
it is understandably very difficult i
7:57
think the film makes
7:58
a few points on that too although i feel
8:01
that there's probably more to say than
8:02
i'm noticing here
8:03
um the obvious being through the
8:05
experience of beauty
8:07
andy spends 19 years in shawshank prison
8:10
most of which is an ongoing
8:12
collection of bad experiences
8:15
and time stretching out into this
8:17
agonizing
8:19
empty treadmill of an existence i like
8:21
how
8:22
directorially how seamlessly everything
8:24
transitions in this film to make 19
8:26
years past like a timeless blink
8:28
even for the way reds narration
8:30
sometimes melds into the dialogue
8:32
the powers that be decided that the roof
8:34
of the license plate factory needs
8:36
resurfacing this is a place where bad
8:38
experiences do
8:39
a hundred percent outweigh the good
8:42
unquestionably so
8:44
and i think this tendency we have as
8:46
humans to weigh up and compare
8:48
good against bad in life as though to
8:50
try and find
8:51
some clear answer as to whether or not
8:54
life is a good thing i think that's
8:56
something i've talked about at times in
8:57
the past but here i just wanted to point
9:00
out
9:01
the power of beauty even in the small
9:04
and very sparse moments because within
9:06
this
9:07
unending bleak existence of shawshank
9:10
prison we get one
9:11
or two beautiful experiences the beers
9:14
on the roof
9:15
my god in terms of just how vivid it is
9:18
that's a scene i find one of the most
9:20
beautiful in any film really
9:22
we sat and drank with the sun on our
9:24
shoulders and felt like free men
9:26
hell we could have been touring the roof
9:28
of one of our own houses
9:30
we were the lords of all creation how
9:32
this one
9:33
brief moment seems to soar up far above
9:36
the rest of the desolation
9:38
how even the smallest experiences of
9:40
beauty can be enough to maintain hope
9:42
or at least bolster your spirit once
9:44
more against the burdens it has to carry
9:46
the same can be said for the scene with
9:48
andy playing mozart it was like some
9:50
beautiful bird flapped into our trap
9:52
little cage and made those walls
9:54
dissolve away
9:55
the power of its beauty is so great that
9:57
the few minutes of music makes the two
9:59
weeks in the hole that follows the
10:00
easiest time i've ever done
10:02
there are just some experiences we have
10:04
for whatever reason
10:06
that feel like beauty beyond all
10:09
ordinary existence and that are worth
10:11
just
10:12
cherishing forever one i have is from
10:14
when i was about
10:15
13 at school waiting for the bus home on
10:17
a sunny day
10:18
under a conquer tree and a group of us
10:21
for some reason playing this game of
10:24
trying to throw conkers so they curved
10:26
round this turn in the road
10:27
and all the while listening to three
10:29
little birds by bob marley on
10:30
repeat that one of us had on their
10:33
motorola
10:34
razer flip phones i don't know what made
10:36
that experience so
10:38
perfect or why it sticks in my mind like
10:40
that but
10:41
red is absolutely right we felt like the
10:43
lords of all creation
10:44
and whenever i hear that song i think
10:47
back to that moment
10:48
in addition to that though the film is
10:50
permeated with lots of metaphors for
10:52
kind of
10:53
having the grit to really work of things
10:56
the idea of andy continuously sending
10:58
one letter a week asking for funds to
11:00
build a library until he does
11:01
finally get them well the idea geology
11:03
is the study of pressure and time
11:07
that's all it takes really pressure
11:11
and time which on its own does stand for
11:13
that general idea of working hard in
11:15
life to achieve things but i think it's
11:18
particularly the fact this grit often
11:20
comes alongside the kind of tenacity
11:22
or sense of clear direction to what
11:25
you're working at
11:25
because andy isn't the obedient good
11:29
hard worker he's a man who pushes at the
11:31
system by mailing these letters when
11:33
he's not supposed to
11:34
by having a clear vision for this
11:37
library and
11:38
creatively stretching funds with
11:39
donations and charity books to manage it
11:41
that's
11:42
about really pushing at the world around
11:46
him in a clever way pressure and time
11:48
but not
11:49
too much pressure that reacts back
11:51
against him or gets him in trouble kind
11:53
of thing
11:53
i think that makes sense and the
11:55
tenacity to have approached hadley
11:57
with the offer to act as his lawyer in
12:00
return for beers
12:02
the risk to have secretly tunnelled at
12:04
the wall for 19 years
12:05
knowing what would have happened if he
12:07
was caught to risk switching
12:09
and taking records so that he could both
12:11
empty out the wardens funds of himself
12:13
whilst also providing evidence for his
12:15
crime to send him down
12:17
that's more than just work hard and the
12:19
world will reward you which
12:21
we know it often doesn't otherwise andy
12:23
would never have ended up in a prison to
12:24
begin with
12:25
you know um it's work hard but
12:28
fighting for what he's owed and he has
12:30
to put up a hell of a fight in this film
12:33
but without seeking petty revenge
12:36
against the world i'd say
12:38
fighting with hope and not bitterness um
12:40
i suppose the clearest metaphor for all
12:41
of it is andy as a man who crawled
12:43
through a river of [ __ ] and came out
12:45
clean on the other side also when i say
12:47
it took him vision
12:49
think andy using his position as prison
12:52
guard lawyer to secure funds for
12:53
expanding the
12:54
library and another prisoner remarking
12:57
gonna ask for something else for pool
12:58
table
12:59
which at face value we'd all probably
13:02
rather pick
13:02
over a library but how much more of a
13:05
meaningful difference the library makes
13:07
and the self-improvement it offers
13:09
it takes vision to recognize that so
13:12
other points
13:12
um i think red's doing a voice over
13:15
narration for this film
13:16
is perfect voice over narration is the
13:18
sort of thing that's often seen as lazy
13:21
and bland in movies as a form of
13:22
storytelling but
13:24
this is the exact kind of film where it
13:26
fits also red doesn't actually spout
13:28
much
13:28
exposition at all in the voiceovers he's
13:31
mainly just cementing some of the themes
13:33
or
13:34
andy's feelings or his opinion on andy's
13:36
feelings um
13:37
i think we could follow the plot pretty
13:39
much fine
13:40
with the narration muted so i think that
13:43
helps it not feel as lazy
13:45
instead we get this incredibly poetic
13:48
narration
13:49
so many of red's voiceover lines are
13:52
just
13:52
fantastic writing old life blown away in
13:55
the blink of an eye
13:57
nothing left but all the time in the
13:59
world to think about it
14:01
it's important because andy is this
14:02
slightly closed off
14:04
almost mystical character so telling
14:07
events from red's viewpoint
14:09
informed by his feelings and
14:11
interpretations about his friend
14:12
enhances this it's like the sherlock
14:16
told through the lens of watson type
14:18
thing and obviously like i hinted
14:20
earlier having a voiceover
14:21
makes it easier for the passing of time
14:23
to merge so that the 19 years go by
14:26
without
14:26
any obvious shifts i think andy is a
14:29
fascinating character in terms of how
14:31
subdued he is
14:32
to the extent he believes it's his
14:34
inability to really express
14:36
passion that led to his wife having an
14:38
affair
14:39
and subdued to the extent the court
14:41
interprets him as being very icy and
14:43
sinister
14:44
and to the extent it takes him ages to
14:46
really open his mouth to talk to anyone
14:48
at shawshank
14:49
part of that last one is obviously kind
14:51
of protecting himself in his prison
14:52
environment
14:53
keeping everything within including his
14:56
sense of hope in a way
14:57
um perhaps shielding it but this
15:00
is a man who could be absolutely furious
15:04
at his situation and the injustice of it
15:07
also perhaps furious at himself
15:09
out of guilt when he found out about his
15:11
wife's affair and he got drunk and
15:13
stumbled over to the golf pros home with
15:15
revolver to shoot them
15:16
i mean he obviously wasn't going to go
15:18
through with it he sobered up and came
15:20
to his senses but
15:21
on some level the desire or fantasy of
15:25
murdering them
15:26
was there one he might have felt bad
15:28
about having come the morning
15:30
however when they do actually then get
15:32
murdered even if it wasn't him it brings
15:34
home the reality of what that little
15:36
part of him was wishing for
15:38
perhaps unconsciously making him feel
15:40
like it was this wish he had that then
15:42
caused it to literally happen we know he
15:44
must feel some guilt simply from the
15:46
fact he gave up drinking after that want
15:48
a cold one andy
15:50
no thanks gave up drinking instead
15:52
however all this anger stifles into his
15:55
naturally already subdued manner but it
15:57
is always there and i think
16:00
he'd probably get some release through
16:02
the delight he must feel
16:03
getting one over on the wardens or
16:05
guards in
16:06
all the little ways he does manage
16:08
having a sales search in the warden even
16:10
taking andy's bible briefly
16:12
all the while knowing there's a tunnel
16:14
hidden behind the poster and a rock
16:15
hammer hidden in the bible the
16:17
thrill of that one of the other obvious
16:20
things this film is about is
16:22
the prison system itself a film set in
16:25
the 40s
16:26
50s 60s era made in the 90s about a
16:30
prison system that still
16:31
bears resemblance to today that's quite
16:34
sad
16:35
um obviously we see corruption brutality
16:38
dehumanizing prisoners profiting off
16:40
their labor as
16:41
america still does to horrendous
16:43
extremes um
16:44
i think american prisons make up like a
16:46
fifth of prisoners across the entire
16:48
world as well i'll have to check that um
16:50
it's the idea of rehabilitation though
16:52
our introduction to red
16:54
is through a parole hearing with them
16:56
asking if he feels he's being
16:57
rehabilitated
16:58
we see it happening three times
17:00
throughout this film asking the same
17:02
question despite red seeing it as
17:04
a made-up word a politician's word so
17:07
that young fellas like yourself can wear
17:09
a suit and a tie and
17:11
have a job and yet what about shawshank
17:13
prison has functioned to rehabilitate
17:16
anyone into society more likely to
17:19
alienate them from it so much so that
17:21
tommy as a kid
17:22
eager to get somewhere in life is the
17:24
rarity the
17:25
exception to the rule and even his drive
17:28
having already been in and out of most
17:30
prisons in the state
17:31
comes through the library that andy has
17:32
to fight to get built and through
17:34
andy's own passion to teach him not from
17:36
the prison system itself
17:38
i mean prisons are supposed to have two
17:41
functions really i suppose
17:42
one is obviously to keep the public safe
17:45
by
17:45
keeping dangerous people away and
17:48
children does obviously achieve that
17:50
but the other function is to also reform
17:52
them so that when they return to society
17:53
they're less
17:54
likely to break the law again there's
17:57
the idea that by punishing them and
17:59
giving them a long
18:00
hard time to reflect on their actions
18:02
they'll just naturally learn
18:04
and change except the joke in this film
18:06
is that nobody
18:07
reflects on their crimes because
18:09
everybody ensures shank argues they're
18:11
innocent
18:11
they resist any reflection altogether
18:13
because of course you would you're
18:15
already being treated like an animal
18:17
you don't want to feel even worse about
18:19
yourself throw a bunch of criminals
18:21
together
18:22
treat them like duh and then somehow
18:24
expect them to believe in the
18:26
possibility of change how were they
18:28
supposed to maintain the hope of
18:29
goodness within themselves the potential
18:32
to achieve the idea that they could be
18:34
better
18:34
which is already hard for all of us
18:37
anyway in general life
18:38
let alone when you're being treated like
18:40
scum it takes the extraordinary strength
18:42
of andy to maintain
18:44
belief in himself it takes the strength
18:46
of him to
18:47
spread that to other people but even
18:49
then all that seems to keep red from
18:51
veering away
18:52
is a promise i made to andy the
18:54
environment that then put into
18:56
the treatment and also the social
18:59
pressures of society looking down on you
19:01
or the people you know back home perhaps
19:03
expecting you to return to crime
19:05
all of that does just make change
19:08
incredibly difficult
19:09
it's the same emotional struggle really
19:11
as this one of escape from shawshank
19:13
prison it's
19:14
a tremendous undertaking so when red
19:17
is asked if he's been rehabilitated red
19:20
says
19:20
you know i don't have any idea what that
19:22
means because either rehabilitation is
19:24
not the point of prison
19:26
and it's all about revenge and
19:27
punishment against this sect of society
19:30
we can freely look down on us bad people
19:32
or else it's hypocritical to talk about
19:35
rehabilitation and
19:37
perhaps all of that does simplify things
19:39
a bit but
19:40
it is largely the argument of this film
19:43
that prisons expect rehabilitation
19:45
without providing or
19:47
teaching it and it is of course set a
19:49
good
19:50
70 odd years ago and i do think a lot
19:52
has improved since then but
19:54
i'd also argue not enough the great
19:56
point however is of course still hope
19:58
in spite of this backwards prison of
20:00
shawshank and
20:02
in many ways hope isn't the deepest most
20:05
artistic of themes
20:06
um like i don't think i've said anything
20:08
about it here that's like
20:10
groundbreaking or whatever but i don't
20:12
think it matters
20:13
hope is a universal theme for a film
20:17
one that touches everybody's heart very
20:19
closely because we all
20:21
in our own ways and with our own scale
20:23
understand that struggle between hope
20:25
and fear
20:26
between getting busy living or busy
20:29
dying
20:30
this film is so loved because it touches
20:32
everybody's heart and does it through a
20:34
setting and a story that can talk about
20:36
hope without it being forced or
20:38
contrived and
20:40
without being wishy-washy all optimism
20:43
because
20:44
this does still show the harshness of
20:46
prison and provides
20:47
down-to-earth appeal and humor through
20:49
the ordinary prison characters around
20:51
andy so in that sense it's meaningful
20:54
moving and entertaining all at once
20:57
it's also probably about time i read the
20:59
book
21:00
um anyway that's basically everything i
21:03
wanted to say about shawshank redemption